The best way to find your way around a city is to be shown by somebody who was born there. What if the city you're interested in is a 'lost city'? That makes it interesting but, as Karin Ross and Peter Elliot come to find, it's not impossible.
I have long been a great fan of Michael Crichton and his pioneering use of the sub-genre of the Techno-thriller. Much like many of his other works, in Congo, Crichton builds a scenario where technology is the bait, the trap and possibly the means of escape for those who wish to employ it. As formulaic as that sounds, Congo proves that it is anything but. The story starts off as a quest that, as characters are brought in, becomes larger and more intricate. This sort of layered progression keeps the pace of the story at a high tempo without feeling too exhausting.
This also accommodates the introduction and exposition of characters. Crichton uses interpersonal interaction to show depth of the main characters very well. It's a nice variation of the writers' adage 'Show, don't tell." Witnessing a characters react in support of their motivation is more compelling even than that character stating their motivation. We get to see the quite a bit in this book.
Now, I would be remiss if I didn't point out there are some failings with some of the authors use of technology and tech terms. I spend my days dealing with the very guts of the what makes modern technology work so, I tend to notice these things right away. I won't go into detail but, suffice it to say, Mr. Crichton takes many liberties with technology and misuses a few terms throughout the book. This is a book that was set and written in the late 1970's so, they probably could get away with those things more than they ever could today. Besides, this is Sci-Fi in more ways than one, so, I usually just chalked some of those miscues to that side of it.
This is yet another "it's much better than the movie" stories. There is quite a bit of violence and language throughout the book so I think it should land in the safer section of PG13 rating.
I have long been a great fan of Michael Crichton and his pioneering use of the sub-genre of the Techno-thriller. Much like many of his other works, in Congo, Crichton builds a scenario where technology is the bait, the trap and possibly the means of escape for those who wish to employ it. As formulaic as that sounds, Congo proves that it is anything but. The story starts off as a quest that, as characters are brought in, becomes larger and more intricate. This sort of layered progression keeps the pace of the story at a high tempo without feeling too exhausting.
This also accommodates the introduction and exposition of characters. Crichton uses interpersonal interaction to show depth of the main characters very well. It's a nice variation of the writers' adage 'Show, don't tell." Witnessing a characters react in support of their motivation is more compelling even than that character stating their motivation. We get to see the quite a bit in this book.
Now, I would be remiss if I didn't point out there are some failings with some of the authors use of technology and tech terms. I spend my days dealing with the very guts of the what makes modern technology work so, I tend to notice these things right away. I won't go into detail but, suffice it to say, Mr. Crichton takes many liberties with technology and misuses a few terms throughout the book. This is a book that was set and written in the late 1970's so, they probably could get away with those things more than they ever could today. Besides, this is Sci-Fi in more ways than one, so, I usually just chalked some of those miscues to that side of it.
This is yet another "it's much better than the movie" stories. There is quite a bit of violence and language throughout the book so I think it should land in the safer section of PG13 rating.
