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Showing posts with label morally grey love interest. Show all posts
Showing posts with label morally grey love interest. Show all posts

Wednesday, June 17, 2026

Review: A Deal with the Shadow King (Curse of the Fae, #1) by Anya J. Cosgrove

A Deal with the Shadow King (Curse of the Fae, #1)

A Deal with the Shadow King (Curse of the Fae, #1)

by Anya J. Cosgrove

★★★★★

Read: May 10, 2026

358 pages


I did not expect this book to grab me this hard, but here we are. I went in for a fae bargain, a shadow king, a princess promised to a dangerous court, and maybe a little morally grey nonsense. I got all of that. I also got a story that kept unfolding in ways I genuinely did not see coming, even when I was convinced I had figured things out.

Nell is exactly the kind of heroine I love in a dark romantasy—not because she walks in already powerful and untouchable, but because she keeps becoming. She starts as a princess raised in a world where women are meant to be obedient, covered, quiet, useful. And then she gets thrown into Faerie, where the rules are crueler but somehow the cage has more space. Watching her realize she wants strength, knowledge, choice, and freedom was so satisfying. She’s compassionate without being weak, brave without being reckless in that hollow “because plot” way, and when she loves, she loves with her whole chest.

And One. God. He is exactly the kind of complicated, dangerous, lonely MMC that ruins me. He is not soft, not safe, not easy. He makes terrible choices. He withholds too much. He tries to protect by controlling the board, and sometimes I wanted to shake him by the shoulders. But there is such a weight to him, such a sense of exhaustion and duty and hunger underneath the mask, that I couldn’t look away. The romance works because it isn’t clean. It’s tense and tangled and full of secrets, and every time Nell gets closer, the story makes you feel how much is being held back.

The world-building surprised me in the best way. There are dreams, nightmares, fantasies, mirror travel, shadow magic, fae courts, blood bargains, and enough layered mystery to keep me feral. I loved that the magic felt strange and dangerous rather than overly explained from the start. The book lets you be disoriented with Nell, and for me, that worked. I was theorizing constantly, and the best part is that some things clicked early while others still managed to slap me across the face later. That balance is so satisfying.

The spice and tension are also woven into the plot instead of feeling tacked on. Desire matters here. Power matters. Consent matters. Secrets matter. The intimacy is charged because it is never just physical—there is always something emotional, magical, or dangerous moving underneath it.

I listened to the audiobook thanks to Podium Audio, and I really enjoyed the narration. It is dual narration, though I admit I would have loved duet for this one because the dynamic practically begs for it. Lilly Drake brought Nell’s vulnerability and growing steel beautifully (and her male voice is truly good!), and Anthoni Palmini was such a good fit for the darker, controlled intensity of the male POV.

This was messy, addictive, twisty, romantic, and far more emotionally satisfying than I expected. I love when a book lets me be right about some things and still manages to surprise me where it counts.

I need the next book immediately.

Tropes: fae bargain · shadow king · promised bride · masked MMC · morally grey love interest · court intrigue · touch-her-and-die vibes · hidden identity · forced proximity · training scenes · dream/nightmare magic · protective sister bond · dark romantasy · “he’s dangerous but exhausted and I’m obsessed”

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Friday, May 15, 2026

Review: Famine (The Four Horsemen, #3) by Laura Thalassa

Famine (The Four Horsemen, #3)

Famine (The Four Horsemen, #3)

by Laura Thalassa

★★★★☆

Read: May 15, 2026

512 pages


Of the three Horsemen I’ve met so far, Famine might be the cruelest — and somehow one of the most affecting.

Where Pestilence stumbled into love almost against his will, Famine resists it with his entire being. He doesn’t just kill; he believes in it. His indifference to humanity feels ancient, absolute, and immovable, which makes watching that certainty slowly crack the entire engine of the book.

Ana is exactly the kind of heroine this story needed. She arrives with justified rage, a knife, and scars that run deeper than the visible ones, but she never becomes one-note. She’s sharp-tongued, stubborn, funny, and empathetic in a way that feels almost inconvenient. Not soft because life has been kind to her, but compassionate despite the fact that it hasn’t. That distinction is what makes her so compelling.

The slow burn here is thornier than the previous books. Famine doesn’t soften easily. He resists, deflects, misunderstands, and makes horrifying choices even when he’s trying to adjust. But that’s also why the intimacy, when it finally comes, feels earned. This isn’t a clean redemption arc. It’s messy, brutal, and emotionally complicated — which is exactly why it works.

Thalassa does a great job balancing apocalypse, banter, horror, and tenderness without letting the romance erase the violence of the world around them. The Brazilian setting gave this installment its own texture, and Ana’s backstory added real emotional weight without pulling focus from the central dynamic.

The ending definitely makes the next book feel bigger and more inevitable. I’m not rushing into Death yet, because these books are heavy slow burns and apparently I value my emotional stability a little, but I am very curious to see how everything ends.

One production note for GraphicAudio listeners: the performances were good, but the sound design was too heavy-handed for me. Music and ambient effects often overpowered the narration, especially during emotional, intimate, or travel-heavy scenes. If intrusive production bothers you, the standard audiobook may be the better choice.

Pestilence still holds the top spot for me, but Famine pushed War firmly into third.

Tropes: apocalyptic romance · enemies-to-lovers · forced proximity · captor/captive · morally grey MMC · Sex worker FMC · divine being/human romance · slow burn · revenge · reluctant protector · touch-her-and-die energy · emotional caretaking

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